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Stephenson Amplification
LJ-10 Head:
Stephenson Amplification LJ-10 Operation: Gain: Controls how clean or distorted the preamp signal is. Treble, Mid, and Bass: EQ voiced for electric guitar Drive: Controls the preamp level sent to power amp. Fat: Feedback Attenuation. Controls amount of body and gain produced by the power amp. Scale: Power Scale. Controls the amps wattage. Basic Operation: The Scale and Drive work together keeping the amps tone at any wattage. ‘cranked’ tone at any volume. When the Scale is set to maximum the power amp produces full wattage, any other Scale setting will produce less than full wattage. Scale set to minimum is the standby mode. The Drive control determines the amount of saturation and compression that the power amp produces. As the amp is Scaled down the Drive should also be turned down to keep the amps natural full volume tone. A good rule of thumb is: adjust the Drive and Scale to the same settings. In other words, if the Scale is set half way then set the Drive half way. Of coarse you can adjust to taste, if a compressed saturated tone is desired, then turn down the scale and turn up the drive.
On/Off: AC power switch Ultra Linear/Pentode: Determines mode of operation that the power tubes are run. 4 - 8 - 16: Speaker impedance selector Speakers: 15 watt speaker output jacks (wired in parallel) Parallell Effects Loop: Send: Tube buffered variable effects send. Allows the use of both, effects pedals and rack units. Return: Variable effects return Phase: Reverses the phase of the effects send. Some effects processors and pedals reverse the phase of the signal, this switch puts the wet (effects) signal in phase with the dry (amp) signal. Footswitch: ¼ inch stereo jack for dual mode footswitch pedal, controls loop and a preamp gain boost.
Basic operation:
The LJ-10 uses a unique power amp design; a combination of dissimilar power tubes in a cathode-biased, class A, push/pull arrangement. The dissimilar power tubes create extra even order harmonics that produce a sound that is exceptionally full bodied for an amp rated at only 15 watts. The dissimilar tube power amp came into being after building a custom amp for a fellow who wanted to switch between a pair of 6V6’s and a pair of EL84’s. Originally the customer wanted a pair of eight pin sockets (6V6 tube) installed and was going to use EL84 tube adaptors when he wanted to use EL84’s. I didn’t really want the tonal compromises with using the tube adaptors, so the amp was fitted with 4 power tube sockets (two 8pin and two 9pin) and a bypass (on/off) switch for each tube, so running any combination of the 4 tubes were possible. What I found was that the dissimilar combinations of tubes sounded the best, a 6V6 on one side and an EL84 on the other side. The dissimilar tube power amp tone is like taking a ‘good old’ Tweed 5E3 and blending it with a great sounding AC15, a smooth thick sound that has wonderful sparkle and clarity.
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Contact Info : STEPHENSON
AMPLIFICATION |
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